Arturia’s Pigments 3 synth plug-in just got packed with a ton of new features
Pigments, the monster synth plug-in, is still growing at full speed - now with a deep "harmonic" additive engine, more...
MacOS
Splice Studio is free backup, version control, and collaboration for your DAW
A lot of the solutions you'll see for "collaborating" involve live jamming - even though that's not always what you...
Great news for MOTU interfaces: new Ultralite, Apple Silicon and Big Sur support
The Mark of the Unicorn shines brightly. MOTU are here with a ground-up redesign of their blowout hit audio interface...
Gleetchlab, experimental DAW, is now on Windows too – and crazy as ever
No timeline. No sequencer. No stereo limitations. No "included library of trap loops and trombone samples." Nothing but glitch -...
Inside MTS-ESP, the new tuning tool from Oddsound and Aphex Twin
In a year that is finally bringing tuning into music tech headlines, here's a tool from ODDSound and Richard James...
Watch Unreal Engine make low-latency visualizations, thanks to Arthur Barthur
At the meeting point of physics simulation, 3D visualization, and modular audio inside Unreal Engine, there's Arthurs Audio BPs. And...
MIDI 2.0 in a DAW – MultitrackStudio adds MPE and new MIDI standard
Here's another great underground DAW. The elegant, tape-inspired MultitrackStudio runs on desktop and iPad - and now not only does...
Miller Puckette, creator of Max and Pd, on how he’s patching his way to remote collaboration
Miller Puckette, the original creator of Max and Pure Data, has been working on keeping connected remotely, too. In this...
DaVinci Resolve 17.1: the free video-audio post tool now excels on PC, Mac, Apple Silicon
Resolve 17 quietly exited beta recently – then turned heads by releasing a speedy Apple Silicon M1 version, too. That...
Sega Genesis-ify all your sounds with this free decimator for any platform and OS
One tool gives you 8-bit retro digital sound effects ("bitcrush"/decimator) with loads of extras, for kind of every platform you...
