Hainbach on scoring Qinyuan Lei’s film, machines through a child’s eyes
The One Who Runs Away Is The Ghost sees an electronics market in Shenzen through two young sisters' eyes -...
scoring
Muse Group to “partner” with music publishing giant Hal Leonard
Music consolidation continues - even beyond what we might have imagined. Hal Leonard is "joining" software maker Muse Group in...
Sonuscore Intros The Score, An All-in-one Soundtrack Scoring Tool
The Score is an all-in-one scoring tool that's designed to cover a massive range of genres, styles, and instruments.… Read...
Charlie Clouser On Scoring The Saw Films
This Soundiron profile features composer Charlie Clouser talking about scoring films of the Saw series.… Read More Charlie Clouser On...
In Dorico 5, refined notation and more realistic playback with less effort – even in Elements
Steinberg's Dorico may be a flagship notation tool in the traditional mold, but frequent updates continue to argue for making...
Using The ARP 2600 In Visual Media Scoring
Composer & synthesist David Frederick shared this video, sharing his perspective on visual media scoring with the ARP 2600.… Read...
A celebration of graphic scores and process
Now that machines can employ their own scores, perhaps it's a perfect time for scores that are imaginative, graphical, uncertain...
Spitfire Audio Intros Abbey Road One: Film Scoring Selections Thematic Horns
Spitfire Audio has introduced Abbey Road One: Film Scoring Selections Thematic Horns, a new virtual instrument that captures the sound...
Go listen to this podcast about HBO’s epic sounds – and stick around for some retro visuals, too
Podcast Twenty Thousand Hertz is already must-listen material, covering the stories behind sound design and branding. Now clear some headphone...
Dorico 4 is finally engraving-level notation with MIDI editing powers, in a single tool
As Steinberg's Dorico 4 matures, at last, we're seeing a single, elegant tool that produces engraver-quality scores, but also the...
